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Category Archives: Cagnat, Jean Pierre

Leacock at the Bat

I just received my invitation in the mail to the annual Stephen Leacock Medal Awards Dinner. It is scheduled for June the 12th in Orillia at Geneva Park, and promises to be a worthwhile event. Over the past number of dinners I have prepared pamphlets with content which may be of interest to Leacock Fans, and distributed to each attendee at their place setting for dinner.

   There are presently four in the series: Two Elegies (2005); Random Rhymes (2006); The Shannon and the Chesapeake (2007); and A Scandal in Montreal (2008).

   I took 2009 off as I was simply too busy being retired to prepare one. I had planned to do one discussing the poem “Casey at the Bat.”  Now I’m glad I didn’t get around to it, because I now have new cover art by Charles Pachter.

   Carl Spadoni mentions in his Bibliography of Leacock, that he found an unattributed newspaper clipping from Montreal relating that Leacock had regailed the audience at a dinner speech with his own personalized version of “Casey at the Bat.” It was unclear from the article whether Leacock had recited E.L. Thayer’s version of the poem, or personalized it for Mariposa.

If you google “Casey at the Bat” you find and audio version with De Wolf Hopper reciting the poem, as he did 1,000’s of times in his acting career. I would speculate that Leacock undoubtedly heard Hopper recite the poem, and was inspired to do it himself.

Leacock was not known to play baseball, but he did pay Cricket, both in school and as a young adult.

Shortly after I retired I received a letter from Martin Gardner, of Annotated Alice fame, in which he congratulated me for the publication of The Complete Annotated Father Brown. I called him to discuss the project and compare notes, and he was also interested about republishing a number of his out of print books. One of these was a fourth edition of his The Annotated Casey at the Bat.

It seemed like a natural next step then for me to work on a Mariposa version of “Casey at the Bat” titled “Leacock at the Bat.”

Next, I was working with Charles Pachter, a Toronto pop culture artist, essentially Canada’s Andy Warhol to develop an image of Sherlock Holmes and Dr. John H. Watson, and this project is still very mcuh a work in progress. But in any case during the preliminary conversation, Charles mentioned that he had a cottage studio on Lake Simcoe located  a 20 minute drive from Orillia. I invited him to do an image of Leacock at the bat, but not baseball, but rather cricket, and I attach his creation for your consideration.

During the same visit, I also spotted two other Pachter images in the studio, and obtained permssion to use them as well. The one is for Raymond Souster’s next collection of poetry entitled Big Smoke Blues. The image itself is entitled “Tour de Force.” and it is neat image of a Moose on a tightrope in the shadow of Toronto’s CN Tower. The other is entitled “Bon Echo.” and it is illustrated elsewhere in this blog as the cover for Walt Whitman’s Canada.

So that’s the background, and now, all is left to me to redraft Thayer’s poem change Casey to Leacock, change the other characters to the Mariposa Rogues’ Gallery, and of course change the sport from Baseball to Cricket.

I also plan to include the revised version of Thayer’s poem as well as Martin Gardner’s introduction and footnotes in the pamphlet as well.

As far as 2011 Dinner goes, that’s already allocated — “The Innocence of Stephen Leacock” in which Stephen Leacock meets Father Brown, a pastiche by John Peterson.

A mysterious phenomenon, toward which Professional critics are usually oblivious, recurs constantly in the literary history of the United States. A man or woman, with no special talent for poetry, will put together some apparently run-of-the-mill stanzas and manage to get them printed in a newspaper or magazine. The poem is read and talked about. It is reprinted here and there. People cut it out to carry in a billfold, or pin on a bulletin board, or put under the glass top of a desk, or frame and hang on a wall. Thousands memorize it. Eventually it becomes so well known that it is hard to find a literate person who hasn’t read it. (Martin Gardner in his intrroduction to The Annotated Casey at the Bat)

  Just to recall to your memory I include E.L. Thayer’s originally published version of the poem here:

Casey at the Bat

A Ballad of the Republic, Sung in the Year 1888

The outlook wasn’t brilliant for the Mudville nine that day;
The score stood four to two with but one inning more to play.
And then when Cooney died at first, and Barrows3 did the same,
A sickly silence fell upon the patrons of the game.

A straggling few got up to go in deep despair. The rest
Clung to that hope which springs eternal in the human breast;4
They thought if only Casey5 could but get a whack at that—
We’d put up even money now with Casey at the bat.

But Flynn6 preceded Casey, as did also Jimmy Blake,7
And the former was a lulu8 and the latter was a cake;9
So upon that stricken multitude grim melancholy sat,
For there seemed but little chance of Casey’s getting to the bat.

But Flynn let drive a single, to the wonderment of all,
And Blake, the much despis-ed, tore the cover off the ball;10
And when the dust had lifted, and the men11 saw what had occurred,
There was Johnnie12 safe at second and Flynn a-hugging third.

Then from 5,000 throats and more there rose a lusty yell;
It rumbled through the valley, it rattled in the dell;
It knocked upon the mountain and recoiled upon the flat,
For Casey, mighty Casey, was advancing to the bat.

There was ease in Casey’s manner as he stepped into his place;
There was pride in Casey’s bearing and a smile on Casey’s face.
And when, responding to the cheers, he lightly doffed his hat,
No stranger in the crowd could doubt ‘twas Casey at the bat.

Ten thousand eyes were on him as he rubbed his hands with dirt;
Five thousand tongues applauded when he wiped them on his shirt.
Then while the writhing pitcher13 ground the ball into his hip,
Defiance gleamed in Casey’s eye, a sneer curled Casey’s lip.14

And now the leather-covered sphere came hurtling through the air,
And Casey stood a-watching it in haughty grandeur there.
Close by the sturdy batsman the ball unheeded sped—
“That ain’t my style,” said Casey. “Strike one,” the umpire15 said.

From the benches, black with people, there went up a muffled roar,
Like the beating of the storm-waves on a stern and distant shore.16
“Kill him! Kill the umpire!” shouted some one on the stand;
And it’s likely they’d have killed him had not Casey raised his hand.

With a smile of Christian charity great Casey’s visage shone;
He stilled the rising tumult; he bade the game go on;
He signaled to the pitcher, and once more the spheroid flew;
But Casey still ignored it, and the umpire said, “Strike two.”

“Fraud!” cried the maddened thousands, and echo answered fraud;
But one scornful look from Casey and the audience was awed.
They saw his face grow stern and cold, they saw his muscles strain,
And they knew that Casey wouldn’t let that ball go by again.17

The sneer is gone from Casey’s lip, his teeth are clenched in hate;
He pounds with cruel violence his bat upon the plate.
And now the pitcher holds the ball, and now he lets it go,
And now the air is shattered by the force of Casey’s blow.

Oh, somewhere in this favored land the sun is shining bright;
The band is playing somewhere, and somewhere hearts are light,
And somewhere men are laughing, and somewhere children shout;
But there is no joy in Mudville18—mighty Casey has struck out.

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A Reflection on Edwin Drood

Some years ago now I received a letter from Richard F. Stewart wondering if I would like to publish he book. Richard was in Scotland and he had written a book entitled End Game: A Survey of Selected Writings about The Mystery of Edwin Drood by Charles Dickens. I asked to see the manuscript and he sent it along as an e-mail attachment as Richard lived in Scotland, and we agreed that I would publish it.

end-game

About the Author: Richard F. Stewart was born in Dundee in 1936 and educated there and at St. Andrews University. He laboured to pass on some of this education to the British soldier during ten years in the Royal Army Educational Corps, but eventually threw down his chalk and joined the administrative staff of Manchester University in 1968. He survived this for 25 years before rescue by early retirement. The author of one other book, And Always A Detective … (a sort of history of detective fiction), he now dabbles in books, bowls and baby-sitting.

About the Book: Charles Dickens’ last, unfinished book, The Mystery of Edwin Drood, is probably the most written-about novel ever. Few works of fiction have full-length assessments devoted to them, yet Edwin Drood has at least a dozen such, not to mention the array of attempts to complete the novel itself and the almost countless articles purporting to solve the mystery of The Mystery of Edwin Drood. This distinction has of course come about because the book is unfinished – and is a mystery. An unfinished Pickwick might tease but would scarcely tantalise in the way Edwin Drood has done. As G.K. Chesterton remarks, ‘The only one of Dickens’s novels which he did not finish was the only one that really needed finishing’.

When Dickens died on the 9th June 1870 at the age of 58, he had completed half the story. No notes were found to show how he intended the tale to finish and the reader is left pondering a series of riddles – has young Edwin Drood been murdered? if so, where is the body? what part is played by John Jasper, Edwin’s opium-addicted uncle? who is the mysterious stranger, Datchery, who comes asking questions in the quiet cathedral city of Cloisterham? Yet Dickens has bequeathed us a wealth of hints and clues in the part we have, but despite – or perhaps because of – these, no two commentators seem able to agree on the outcome of the story. And growing by what it feeds on, a unique cottage industry geared to finding the answers has developed over the last 130 years, with amateur detectives fabricating those hundreds of books and articles, each claiming to have found the key to Dickens’ plot. They range from the sombre to the hilarious, invoking mesmerism, paranoia, schizophrenia, telepathy, cyphers, Thuggee and Sherlock Holmes (to name but a few) in the search for a solution.

In this book the author lists and assesses all the main solutions, completions and commentaries and several minor ones as well. Readers will not only be able to trace the development of an amazing literary phenomenon – they should emerge well-equipped to produce their own solution.

After the text was set, I invited Jean-Pierre Cagnat to do the cover with a caricature of the author, and he did so with his usual character insight and humour. It is a fine tribute to a man who spent many years compiling this reference work.

caricature-of-the-author-by-cagnat2

Jean Pierre never met Dick and he did this from a couple of photographs I sent him, and I’ll drop one of them in here.

dick-stewart-photo-11

After this first book we went on to do two more and I enclose thumbnails of them here: … And Always A Detective (originally published in 1980) and The Great Detective Case of 1877: A Study in Victorian Police Corruption.


 

Two Illustrators Meet in The Red Flame

This is long convoluted tale and the title is in fact the end of the story not the beginning of it. I’ll post it now and expand on it later