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Category Archives: Doyle, Sir Arthur Conan

Undershaw Milestones

A number of websites, individuals, societies, groups and “ambassadors” are endeavoring to raise funds on-line to save Undershaw at Hindhead. This blog is not a solicitation for funds.

Undershaw by Charles Bone

   A watercolour by Charles Bone

1896. ACD lived at Morefields, a small local Hotel, and visited the property daily to supervise the construction with the architect Joseph Henry Ball. Virginia Wolfe visited the building site.

October18, 1897. The Doyles move into Undershaw. ACD reckons it cost him £10,000 and annotated it in his notebook. Bernard Shaw did not move to the area until two years later.

1902. ACD received his knighthood here.

July 1906. Wife Touhy died after a long illness with Tuberculosis and is buried at Grayshott Church Cemetery approximately one mile away. Doyle’s mother was also interred there in 1921. Doyle’s Son Kingsley in 1918, and daughter Mary interred there in the 1970s.

Early 1907. ACD takes up the cause of George Adalji. This case and the case of Adolph Beck result in the establishment of the Court of Criminal Appeal.

July 1907. Bram Stoker interviews Doyle on the eve of his marriage to Jean Leckie

1907. Sir Arthur remarried and moved to Windlesham in Crowborough, and rented Undershaw for another 14 years.

1908. Rented Undershaw to a retired Headmaster of a Public School, a widower  of Aldous Huxley’s mother’s sister.

1910-1912. Aldous Huxley, as a teenager resided at the property and went to write Brave New World 10 years later. Doyle wrote The Lost World in 1912.

1921. Undershaw sold for a “sacrificial price” of £4000. All real estate was depressed after WWI, and ACD needed the money to support his Spiritualistic Crusade.

late-1920s. A new wing was constructed on the east side facing south of about 2000 sq feet.

1935-2004. Undershaw was purchased by the Bridger family who lived locally but never occupied the house. They leased Undershaw to individuals who operated a Restaurant-Hotel there. These individuals were always undercapitlaized, and therefore made very few changes to the building and grounds. Fortuitously many of the original features still exist.

February 2004. Property sold to Fossway Limited (a company registered in the British Virgin Islands) for £1.1 million.

May 2005. The Undershaw Hotel forced to close by the owner. Shortly after the closure the pair of antlers that were mounted at the entrance were stolen. All the lead in the valleys of the roof was also stolen resulting in significant water damage to the interior ceilings, and not the walls.

May2005. Doyle’s multi-storied heraldic window was partially broken and remains broken to this day (against all regulations of Listed Buildings.)

June 2006. An application by The Victorian Society with information supplied by JM Gibson was submitted to English Heritage and the Grade 2 status was confirmed. An appeal also failed in early 2007. English Heritage did not consider the stables and the brick-lined well in their reaffirmed assignment of Grade 2. One of the major reasons in their decision was that Conan Doyle did not have the same status as a writer as Jane Austen and Charles Dickens. It should be noted that those two homes are both Grade 1, and were occupied for short periods of time, and both were built and designed by and for somebody else altogether. This decision was also based on Undershaw’s Architecture. It should be noted in response that Undershaw was designed and built by Conan Doyle for his sick wife. The architecture of the home is essentially irrelevant, but it is rather the history of the home that is important. For example ACD had one of the first telephones in the area, and was a pioneer in electricity in the home coming from a steam furnace in the basement.

20 December 2006. Plan to develop the property unanimously defeated at Waverly Borough Council. John Michael Gibson made a persuasive speech to council pointing out there was no security and the doors were open

January 2007. Waverly Borough Council erected scaffolding, tarpaulin and increased security and spent £70,000 which was recovered from the owners. The roof was repaired with cheap roofing felt and this is still in place today.

2007-Nov 2008.  A modern exterior was installed in the coach house. The renovation was carried out without Listed Building Consent.

Late 2008. The Undershaw Preservation Trust was registered as a Charity to preserve Undershaw by JM Gibson.

November 7, 2008. Waverly Borough Council served an urgent Repair Notice, which was time restricted, and was not complied with by the owner. In spite of this No Compulsory Purchase order was issued.

Negotiation were started with Wilson the architect for the property to be carved up into 3 houses vertically with a solid cement block in between, the add-on would be removed, and a terrace five separate Units would be added on the east. The coach house would make it 9 units altogether.

2009. The single story 600 sq foot kitchen containing asbestos is completely torn down and removed. The plaster was stripped from the upper floor. A plumber and the security guard removed all the asbestos line pipes, and the plumbing fixtures

March 10, 2010. A planning application received for the Southern Area, and considered by the full council in June 2010 and passed by a 7 to 1 majority. All conditions were finally satisfied. The plan called for 7500 square foot house to divided into three with cement partitions. The removal of 1800 addition, and five new 3-story townhouses.

June 10, 2010. Conditional on having the  money in the bank. Plaster off top floor

September 10, 2010. Full planning permission granted subject to Judicial Review.

Under British Planning Law any individual can initiate a Judicial Review.

December 2010. Application made to the Royal Courts of Justice with no relief of costs. Legal Assistance was not available. The case was accepted because it had an arguable case. JM Gibson vs. Waverley Borough Council. There was an attempt to make the legal case The Undershaw Preservation Trust (UPT) vs. Waverly Borough Council, but this was not possible because UPT was impecunious.

June 2011. Pre-trial Judge approved the case to be heard in the High Court of Justice.

May 23, 2012. Case heard in The High Court of Justice. (I was there!) and a decision to quash the development was given 7 days later.

July 2012. Fossway’s application to appeal was turned down by another Judge.

September 2012. The detailed reasons for the decision  of May 2012 are contained in the issue of Journal of Planning Law.

November 2012. A second appeal was granted for an oral hearing which was flatly turned down by a final third judge in the Hugh Court of Justice.

December 20, 2012. A “For Sale” sign was posted on the property by Aequitas Property Agency.. The telephone number given was not answered until January 2013.

January 6, 2013. The Sales agent, Rupert Maxwell-Brown stated on the phone the asking price was £1.2 million, He also indicated that any individual making an offer would have to provide evidence of adequate financial resources to purchase.

March 2013. A business man, who has ..  makes an urgent application to English Heritage for the grading to upgraded from Grade 2 to Grade 1 or Grade 2*. English Heritage is still considering this application 11 months later.

May 2013. A second supplementary portfolio of evidence was also submitted about ACD’s importance as a writer.

October 2013. A group headed by Marek Ujma “negotiates” a purchase price of £1.65 million, and also has a six month window to complete the fund raising and presumably complete the transaction.

January 7, 2014. in a BBC television interview Ujma (from Grayshott) estimates the cost at £3.5 million to purchase and renovate Undershaw. Ujma does not mention the ongoing costs associated with operating a Heritage Centre.

Febraury 2014. English Heritage has appointed a team of Assessors to view Undershaw with the permission of the owner. Their report is eagerly anticipated.

mid-February 2014. The original ‘FOR SALE’ board is still in place at the entrance of the property.

Res Ipse Loquitor  (The matter speaks for itself)

This debâcle is still unfolding. I shall amend and update this blog post as necessary — George A. Vanderburgh\

 

Bateman’s in Burwash, East Sussex

Late last spring I visited John Michael GIbson at his home in Angmering to sort through 110 boxes of book, papers and correspondence of the late Michael Harrison (d. 1991). On the Sunday prior to my departure, John,  his wife Brienne and I traveled to the Churchyard cemetery in Brightling to find the grave of Michael Harrison — unsuccessfully I might add, and tramped though the cemetery in the rain for longer than we cared to. Siimultaneously the Queen was sailing down the Thames with a substanital flotilla in the rain. We also visited Brian Pugh in Crowborough to view view Arthur Conan Doyle’s home there, which has been convert to a Home for Long Term care of the elederly. John and I were very impressed with the life size statue of ACD on a pedestal on a downtown corner, located outside a public house wehre everybody was watching the Queen.

We also planned to visit Rudyard Kipling’s home in Burwash, just north of the cemetery, but did not, because of the latest of the hour, and we didn’t want to keep Brian waiting. Kipling’s Home has been presersed as a Museum by the National Trust. It is on my list of places to visit on my t=next trip to England. And here comes the reason for this post: —

In a conversation with my friend John Robert Colombo recently he recounts that he toured Bateman’s with his wife Ruth on a trip through the south of England by car a couple of years ago now. In an alcove behind Kipling’s study he saw a substantial object — an eightsided, Canadian Nickle. John is always on the lookout for anything Canadian, and he iinquired from whence it had come. The curator did not know; John was unable to handle it to learn whether it was made of wood, or nickel. John did and does not know! I do not know, and certainly Michael Harrison no longer knows. Does any reader of this blog, or facebook friend know? Certainly the Canadian nickle is no longer made with nickel, but that’s another story.

If I were to venture a out-of-the-blue guess: Kipling received this as a gift, perhaps from the International Nickle Cmpany on one of his visits to Canada as a thank you for an appearance, speech or dinner engagement. Google and the internet have not been helpul on this occasion. But then, does it really matter. Of course not.

 

Auction of 12 Tennison Road, South Norwood

Evening of 27 February (3 extracted facebook posts)

George Vanderburgh announces a time sensitive Conan Doyle alert!
ACD’s home at 12 Tennison Road, South Norwood goes on auction at 12 noon 28 February 2013 at the Radisson Blu Hotel. It is lot no. 52. It is live on the internet. Go to http://www.eigroup.co.uk. Select “on line auction” Choose Barnett Ross, and click on View Auction. You will have to register in order to enter. Perhaps we will “see you” there?although I will have to get up at 0700 EST. You can also view the property by using Google earth, and simultaneously alk up and down Tennison Road. Didn’t see the London Council plaque, but perhaps you will?

O800 of 28 February

I have the Barnet and Ross On-Line auction, and I am listening to the auctioneer as I write this. We are at Lot #20, with a 2.5 second delay. Remarkable this. Remember we are waiting for lot #52. I’m going to call John Gibson, on a separate line, (can’t use the magicJack here) when Barnet-Ross starts Lot #51

Lot 52 came up at approximately 0909 EST. There were 3 bidders on the floor, and no one on the telephone that I coud see. The bidding started at 650,000 pounds and was unsold at 725,000 which did “not quite meet the reserve.” John Gibson (Angmering West Sussex) listened in with me, and he predicts, and I agree with him, that one of the floor bidders will speak to the auctioneer after the sale, and if the reserve is 750,000 as we might guess, that it may sell then. The auctioneer mentioned that it was the former home of ACD, the creator of SH. John observed that he was 20 years younger, he would have been very interested in this property. What might have been! I should have had a second computer here to use the Magic Jack simultaneously; but I didn’t, so had to rely on a land line (across the pond) instead

Here’s a link, provided by Peter Blau which should also be of interest, and there is a picture of the back of the house, and the strip of land which accompanies the property. southnorwoodtouristboard

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A Junior Bloodstain, 2013

A Junior Bloodstain was held at The Roosevelt Hotel, New York City, on Saturday January 12, 2013 from 11:30 A.M. to 12:30 P.M.

It featured the premiere performance of The Riddle of the Starving Swine by Gayle Lange Puhl (adapted for dramatic reading by William Hyder) with hand puppets by Ken VogelGayle is from Evansville, Wisconsin and William is from Catonsville, Maryland.  Many enthusiastic Wodehousians and Sherlockians read the parts and manipulated the puppets in the jovial spirit of the playlet.  The Dramatis Personae in order of speaking were:

DR. WATSON: Bill Hyder, Stu Nelans and Philip Cunningham

SHERLOCK HOLMES: Ken Shuttleworth, Allan Devitt and Burt Wolder

LORD EMSWORTH (Clarence, Ninth Earl of Emsworth): George Vanderburgh

BEACH (Butler at Blandings Castle): Ed Van der Flaes

LADY CONSTANCE (Sister of Lord Emsworth): Norma Hyder

ANGELA (Niece of Lord Emsworth and Lady Constance): Margret Fleesak

LORD HEACHAM: Dick Sveum

JAMES BARTHOLOMEW BELFORD: Christopher Music

THE EMPRESS OF BLANDINGS: Albert J. Danforth

The story (one of thirteen) was included in Gayle’s first book Sherlock Holmes and the Folk Tale Mysteries which was also illustrated by her and launched on the BSI Weekend.  The script is available on request to George Vanderburgh (gav@cablerocket.com) at no charge as a nine page pdf for those interested in reading it.

Also introduced at the Junior Bloodstain was the new Clients pin designed by Laurie Fraser Manifold.

 

 

 

 

An Admission Ticket that was never used!

Gillette Admission TIcket (front)Gillette Admission TIcket (back)

Over the holidays I received an e-mail from Robert Brown, a correspondent from Texas. He enclosed the front and abck of an admission to  performance by William Gillette in 1930. I had never seen one before. This one was likely never used, as the remainder would have been torn in two at the door. It is certainly strnage, even bizarre what ephemera survive the sands of time, and are treasured today. This is certainly a prime example of serendipidy.

 
 

Karel Capek — Not in De Waal

Occasionally something crosses my desk which really impresses me, and I think, why didn’t I know about this long before now. Karel Capek is a Czechoslovakian scholar who pubished a book title “In Praise of Newspapers” in 1924 It was translated into English by M. and R. Weatherall. In particular Chapter 11 titled “Holmesiana, or About Detective Stories.” Professor Capek trashes all the detective fiction writers of his genre, but read it for yourself by clicking on the link below!

About Detective Stories

 

Bram Stoker Interviews Conan Doyle in 1907

Undershaw looking South to Nutcomb Valley

Undershaw looking South to Nutcomb Valley

My first book! That was written when I was six years of age! But if I am to tell you about myself, I suppose I had better begin at the beginning.”

The speaker was lying on a chintz covered sofa in the pretty drawing-room of his house at Hindhead, down in Surrey. The forenoon sun was streaming in through one of the mullioned windows, of which the bars were softened by the delicate fringe of green of the creepers which spread all along them. The whole room was full of soft light, which showed the fine old furniture and the multitude of dainty knick-knacks to perfection. Even the many quaint and pretty pictures seemed to stand out from the walls.

From where I sat the whole of the lovely valley, at the very head of which the house stands, lay before me. Due south it falls away, spreading wider as it goes, till its lines are lost in distance, an endless sea of greenery. Far away there are ranges of hills piling up, one behind the other, in undulations of varying blue. Even the whole sweep of the horizon visible from our altitude is like a wavy sea. Nearer at hand the wonderful green of the valley is articulated by the minor curves and slopes, the trend of surrounding hills. The mighty carpet of green is of the fresh young bracken, whose shoots seem close and are like little croziers wrought in emerald. Against this the rising pine trees seem like dark masses. Close to us, beyond the vivid patch of tennis lawn, are some masses of color which are simply gorgeous amid the expanse of green. Great shrubs of yellow bloom, clumps of purple rhododendron, luxuriant alder, with masses of snowy flowers starred in their own peculiar green. An expanse which, whether seen from near or far, in unity or detail, simply ravishes the eye with its myriad beauties.

We had motored up the previous afternoon from Guildford, some twelve miles distant. The last seven miles of the journey up the steep, winding road shows one of the loveliest scenes in England—a scene that brings at every new phase fresh memories of Turner. Indeed, Turner himself loved this piece of the old Portsmouth road. Is not one of the weirdest pictures of the Liber Studiorum, “Gallows Hill,” taken from it? But here was the crown of it all—that wide expanse seen beyond this foreground of idyllic beauty.

UNDERSHAW HOME AT HINDHEAD.

Conan Doyle built his home Undershaw in the western angle at the joining of the road from Haslemere with the Portsmouth road, just below the very top of the hill. It stands on a little platform lying below the road. As north and east of it is a thick grove of trees and shrubs, it is completely sheltered from stranger eyes except from down the valley. It is so sheltered from cold winds that the architect felt justified in having lots of windows, so that the whole place is full of light. Nevertheless, it is cozy and snug to a remarkable degree, and has everywhere that sense of “home” which is so delightful to occupant and stranger alike. Throughout it is full of interesting things got together for their interesting association with the author’s life and adventures, for their prettiness, or as curios, or works of art.

The owner of this almost fairy pleasure house is a big man, massive and burly, and of great strength. His head and face are broad and strong. His eyes are blue with a peculiar effect in light, for they seem to have two shades of blue in the iris. His voice is strong and resonant—a very masculine voice.

The “interview” which followed was the result of many questions. The subject of it was most kind and amenable, thoroughly understanding everything and willing to enlighten me as I required. But he is not naturally a pushing man or an egotist, and it was necessary to keep him resolutely to the point of his own identity. I say this as his various statements were so lucid and illuminative that I think it better to give them in his own words in the sequence of a direct narrative. After all, there is nothing like a man’s ipsissima verba to show the reality of the individual through the mistiness of words. I omit questions except where necessary, and only venture to add comment or description where such may add to the reader’s enlightenment.

DOYLE’S IMAGINATIVE FORBEARS.

“My people on the father’s side,” said the creator of “Sherlock Holmes,” “we all artists of a peculiarly imaginative type. My father, Charles Doyle, was in truth a great unrecognised genius. He drifted to Edinburgh from London in his early youth, and so he lost the chance of living before the public eye. His wild and strange fancies alarmed, I think, rather than pleased the stolid Scotchmen of the 50’s and 60’s. His mind ran on strange moonlight effects, done with extraordinary skill in water colors; dancing witches, drowning seamen, death coaches on lonely moors at night and goblins chasing children across churchyards.”

All these pictures were in the room, or in some of those adjacent. With them were a host of others, delicate fancies and weird flights of imagination. There was one tiny picture of a little fairy carrying a branch and leading a beetle by a string, which was daintily sweet.

“I have myself no turn for this form of art at all beyond a very keen color sense which makes a discord of shades perfectly painful to my eye. I suppose, however, that there is a metabolism in these things, and that any sense I have for dramatic effect corresponds, or is an equivalent, in some degree, to the artistic nature of my father, whom, by the way, I in no degree resemble physically. But my real love for letters, my instinct for story-telling, springs, I believe, from my mother, who is on Anglo-Celtic stock, with the glamour and romance of the Celt very strongly marked. Her I do resemble physically, and also in character, so that I take my leanings towards romance rather from her side than my father’s. In my early childhood, as far back as I can remember anything at all, the vivid stories which she would tell me stand out so clearly that they obscure the real facts of my life. It is not only that she was—is still—a wonderful story-teller, but she had, I remember, an art of sinking her voice to a horror-stricken whisper when she came to a crisis in her narrative, which makes me goose-fleshy now when I think of it. I am sure, looking back, that it was in attempting to emulate these stories of my childhood that I first began weaving dreams myself.

A SIX-YEAR-OLD AUTHOR.

“When I was six I wrote a book of adventure—doubtless my mother has it still. I illustrated it myself. It must be an absurd production, but still it showed the set of my mind. When I went to school I carried the characteristic with me. There I was in some demand as a story-teller. I could start a hero off from home and carry him through an interminable succession of wayside happenings which would, if necessary, last through the spare hours of a whole term. This faculty remained with me all my school days, and the only scholastic success I can ever remember lay in the direction of English essays and poetry. I was no good at either classics or mathematics; even my English I wrote as pleasure, not as work.

AT SCHOOL IN GERMANY.

“After leaving Stonyhurst I was sent to a ‘finishing’ school in Germany, the Tyrol. There again my tendency to letters asserted itself. I started and edited a school magazine. Although the German acquired was indifferent, I think I had great benefit from the small but select English library. Macaulay and Scott, I remember, were my favourite authors. But I was and am still an omnivorous reader, with very catholic sympathies. There is hardly anything which does not interest me. I have sometimes tested myself by going into a large library and noting which of the books I am tempted to take down. I think that if let loose in such a place on a wet day my first choice would be military memoirs; but I am deeply interested also in criminology, in all sides of history, in science—so far as I can follow it—in comparative theology—if it is not ruined by the heavy touch of the writer—in travel—if the author has the skill to keep a glamour over his picture—in any form of fiction. Indeed, it would be difficult to name any form of true literature which does not give me intense pleasure.

STUDYING MEDICINE IN AULD EDINBORO.

“In 1876 I drifted into the study of medicine. The reason largely was that my people lived in Edinburgh”—he pronounces the word in Scotch fashion, “Edinboro”—”and there is a famous medical school there. For four years I went through the curriculum. My people were not at that time wealthy, and it was a struggle to keep me at college. So I compressed my classes into the winter, and devoted each summer to serving as a medical assistant, and so earning a little money to help to pay the fees. I served in this way in Sheffield, in the country districts in Shropshire, and finally in Birmingham —a billet to which I returned three times. The practice lay mostly in the slums of that great city, and I certainly saw a large variety of character and of life, such as I could hardly have known so intimately in any other way.

“The one trouble to me in this arrangement of my life was that I had no means of gratifying the love of athletics which was very strong within me. I used to box a good deal, for that consumed little time; but my cricket and football were neglected. I can say, however, that I have played for my university in both cricket and Rugby football. I had then no time or chance of being a constant player; I feel justified, therefore, in taking it out at the other end. I played a heavy match at football when I was forty-two years of age, and I still, at the age of forty-eight, play cricket twice a week. So I claim now the debts which were not paid me in my youth.

SURGEON TO AN ARCTIC WHALER.

“When I was nearly twenty-one a friend of mine who had been surgeon to a whaler in the Arctic seas told me that he was unable to return that summer, and offered me the billet. I was away for seven months in the Greenland ocean. I came of age in 80 degrees north latitude.

“This was a delightful period of my life. There are eight boats to a whaler, and the eighth, which is kept as a sort of emergency boat, is manned by the so-called ‘idlers’ of the ship. These consisted, in this case, of myself, the steward, the second engineer and an old seaman. But it happened that, with the exception of the veteran, we were all young and keen; and I think our boat was as good as any.”

As he spoke he could not fail to remember the harpoons hanging on the staircase wall. They seemed to account for this enthusiasm. He went on:

“One of the truest compliments I ever had paid me in my life was when the captain offered to make me the harpooner as well as surgeon if I would come for another year. When you think that a whale was then worth some £2,000 and that hit or miss depends on the nerve of the harpooner, I am proud to think that the skipper, old John Grey, should have offered me such a post.

“On returning home from the Arctic I took my degree, having been thrown back one year by the fact of going North. I was twenty-two when I qualified, and, thanks to my numerous assistantships, had a very varied experience behind me.

DOWN THE WEST AFRICAN COAST.

“Almost immediately afterward I was offered the post of surgeon to a steamer going down the west coast of Africa. I was again most fortunate in my captain, and the voyage was a delightful one. We were away four months and the pleasure of my experience was only marred by my getting the rather virulent fever which prevails on that coast. Two of us got it, and the other man died, so that I suppose I may call myself lucky.

“On my return to England I settled in practice, first in Plymouth and then, after a few months, at Southsea, the fashionable suburb of Portsmouth. My adventures in that rather romantic period, and all my mental and spiritual aspirations, are written down in ‘The Stark Munro Letters’, a book which, with the exception of one chapter, is a very close autobiography.

“In this period my literary tendencies had slowly developed. During the years of my studentship my life was so full of work that, though I read a great deal, I had little time to cultivate writing. After starting in practice, however, I had much—too much—time on my hands; and then I began to write voluminously.

“Most of it was, I think, pretty poor stuff; but it was apprentice work, and I always hoped that with practice I might learn to use my tools.

“FINDING HIMSELF” IN LITERATURE.

“Every writer is imitative at first. I think that is an absolute rule; though sometimes he throws back on some model which is not easily traced. My early work, as I look back on it, was a sort of debased composite photograph in which five or six different styles were contending for the mastery. Stevenson was a strong influence; so was Bret Harte; so was Dickens; so were several others.

“Eventually, however, a man ‘finds himself,’ or rather perhaps it is that he grows more deft in concealing the influences which blend with one another until they form what means a new and constant style.

“I suppose that during those early years I wrote not less than fifty short stories. The first appeared in 1878 while I was still a student. It was in Chambers’s Journal and was called ‘The Mystery of the Sassassa Valley’. I had three guineas for it. After receiving that little check I was like a beast that has once tasted blood, for I knew that whatever rebuffs I might receive—and God knows I had plenty—I had once proved I could earn gold, and the spirit was in me to do it again. It was a delightful opportunity for carrying into actuality the dreams of my youth. I had to earn money by some form of work, and that was the sort of work I longed to do.

TEN YEARS OF ANONYMITY

“For ten years I wrote short stories; roughly, from 1877 to 1887. During that time I do not think I ever earned £50 in any year by my pen, though I worked incessantly. Nearly all the magazines published the stories anonymously—a most iniquitous fashion by which all chance of promotion is barred to young writers. The best of these stories have since been published in the volume called The Captain of the Pole Star! Sometimes I saw my stories praised by critics, but the criticism never came to my address. The Cornhill Magazine, Temple Bar and London Society were the chief magazines in which my stories appeared.

“Finally in 1887 I wrote A Study in Scarlet, the first book which introduced Sherlock Holmes. I don’t know how I got that name. I was looking the other day at a bit of paper on which I had scribbled ‘Sherringford Holmes’ and ‘Sherrington Hope’ and all sorts of other combinations. Finally at the bottom of the paper I had written ‘Sherlock Holmes’. ‘A Study in Scarlet’ appeared in a Christmas number of Beeton’s Annual. The book had no particular success at the time, though many people have been good enough to read it since.

“MICAH CLARKE” AND “THE WHITE COMPANY”.

“My next book was ‘Micah Clarke,’ a historical novel. This met with a good reception from the critics and the public; and from that time onward I had no further difficulty in disposing of my manuscripts. When two years later I wrote ‘The White Company’ I felt that my position was strong enough to enable me to give up practice. I still clung to my profession, for I came to London and started as an oculist. After six months, however, this also seemed unnecessary, and I finally retired. I have not indulged in my profession since, except when I went campaigning.”

That he did good service in that noble profession in the South African war is attested not only by his book on the record of the Langman Hospital, but by a noble silver bowl which stands at a corner of his house in Hind-head, on which is inscribed:

“To Arthur Conan Doyle, who at a great crisis—in word and deed— served his country.”

When he had come to the part in his history where he had started his bark on the sea of literature, I think he considered that his duty with regard to the interview. In obedience to my request, however, he went on. I wished that the American people might hear some special comment on their own affairs:

DOYLE’S AMERICAN TOUR

“In 1894 I went on a lecturing tour to America. I had no hopes of any success in the matter; my idea was simply to see a country in which I took a deep interest, and to pay my expenses while I was so doing. Major Pond, however, in his enthusiastic way fixed up a considerable programme for me, so that I was forced to do rather more than to pay my expenses and rather less in the way of seeing the country. I was there, all told, between four and five months, and the fact that I was lecturing had the one advantage that it took me into some of the byways and smaller towns that I should not have otherwise visited.

“I came away from America with a deep admiration for both the country and the people; and much touched by all the kindness and even affection which I had encountered. It has left a lasting impression on my mind which the lapse of thirteen years has in no way effaced. I want to go again without having any work to do, and I want to go out West and Southwest. One feels that society with its highly organised life is to some degree the same everywhere throughout the world, but that the real distinctive America is that portion which is still finding itself, as it were, and has not yet set into its final form.

“I read Wells’s book on the subject the other day; it seemed to me to be very deep and very suggestive. I should think that Americans need not mind frank criticism from such a man as he, for his own mind is essentially democratic and American.

“But the fact is that these various dangers and drawbacks which one sees—the dangers of the great trusts—the dangers of violent labor unions— the dangers of the multi-millionaire—the dangers of individual character and violence becoming too strong for the organised legal machinery of the community—all these things are probably prominent problems to be solved by the human race, and only showing up in America because things move faster there and are on a large scale. But always behind the turmoil are ranked the millions of steady, solid, law-supporting citizens; and one knows that in the end all will be well.

“As I am speaking of America I remember one incident that comes back vividly to my mind. When I was there a strong wave of anti-British feeling was passing over the country. It was not shown offensively to the stranger within their gates, but one could hardly pick up any sort of newspaper without reading what was painful and usually untrue about one’s country. On one occasion at Detroit this feeling showed on the surface. A small supper was given to me by some kind and hospitable friends at a club there. We looked upon the wine when it was red, and at a late stage of the evening, politics having come up, one of the company made a speech in which he made a severe attack upon Great Britain. I asked my friend Robert Barr, who was in the chair, to allow me to answer the attack. This I did, speaking my mind out of the fulness of my heart. I think no one who was present could fail to have been surprised at the way in which after events bore out my remarks. What I said practically was:

“’You Americans have lived, up to now, within a ring fence of your own. Your country has become so vast, and you have so much to do in peopling it and opening it out, that you have never had to think seriously of outside international politics, and you have lived to some extent in a world of prejudice and of dreams. This period is now drawing swiftly to an end. Your country is filling up, and soon you will have surplus energies which will lead you on into world politics and bring you into closer actual relationships with the other powers. Then your friendships and your enmities will be guided, not by prejudice nor by hereditary dislikes, but by actual practical issues. When that days comes—and it is coming soon—you will find that the only people who will understand you—who will see what your aims are and who will heartily sympathise with you in them, are your own people, the men from whom you are sprung. In a great world-crisis you will find that you have no natural friend among the nations save your own kin; and to the last they will always be at your side!’

“Well, within three years came the Spanish war—the suggested European coalition against America—the strong attitude of Great Britain upon the subject. It was as good an illustration as one could desire of the prediction which I had made in my speech.

“We know very well on this side that if the case were reversed and we ourselves had to look for sympathy and understanding, all minor contentions would vanish in an instant and we should find a strong and true friend by our side.”

A HAPPY ANNOUNCEMENT

One little personal piece of information was given by Sir Arthur Conan Doyle which may make a fitting conclusion to this interview. It was the news of his approaching marriage. Sir Arthur is engaged to a young lady, Miss Jean Leckie of Crowborough, to whom he is to be married in September. His face lit up as he finished: “I am the most lucky of men. May I be worthy of my good fortune!”

The World (New York) 1907

 

ACD at Stonyhurst College, in Lancashire

I sent an e-mail to Stoneyhurst College’s front desk last week, and I received a perfect reply from David Knight, the Stonyhurst Archivist, who handled the response. I post his e-mail reply here, his essay on ACD, and two illustrations, a signed poem titled “Passage of the Red Sea” and a cartoon titled “Mr. Judkin’s Tragedy.” They both appeared in the pages of The Wasp but no copies of this school journal have survived. This information willl be entered in the revised ACD Bibliography, 3rd electronic edition by Phillip George Bergem. Here’s the long version below.

SIR ARTHUR CONAN DOYLE by Knight

 
 

The Début of Bimbashi Joyce

Last week I took a day to peruse the bound volumes of Punch on the shelves of the Upper Library at Massey College at the University of Toronto. I saw the original cycle of The Picklock Holmes parodies by “Cunnin Toile” by R.C. Lehmann  in 1893-4, 1903-1904 and 1918. I used my new toy, a hand scanner with an 8GB micro-disk. It is really quite useful when you get the knack. She beats using adigital camera. I also learned the meaning of a new word Charivari–a cacophonous mock serenade, typically performed by a group of people in derision of an unpopular person or in celebration of a marriage. The word is used in the header of every page. I also had a look at Punch May 1926 to see Sherlock overseeing AD shackled in chains to a chair. ACD had very few appearnces in Punch, but one to remember is the first story of the 20th century January 1900 — The Debut of Bimbashi Joyce with three illustrations 1 by Bernard Partridge and 2 by Tony Wilkiinson. These illustrations were not used when the story was collected in a collection of short stories, so I include here because some readers may find them of interest.

 

Five Authors and Hand Puppets

I recently visited Ken Vogel in Madison, Wisconsin to retrieve a set of five authors represented as hand puppets that Ken created from pictures that I gave him. I enclose a photo here, and now I will simply have to practise operating them. It involves the use of the five fingers on the dominant hand. I also have a set of five marionettes, but these definitely require coordination of both hands in manipulating a number of strings attached to an overhead cross stick. A couple of these fellows will serve double duty as characters in the January 2013 dramatic reading of “The Riddle of the Starving Swine” by Gayle Lange Puhl. The final location and time to be announced.